Archive for May 19th, 2009

Chinese Musical Urban Legend?

Tuesday, May 19th, 2009

By Cathy Barbash

Many people ask me, “Why do so many Chinese youth study western instruments?”

I knew that students who study a musical instrument are awarded automatic extra points on the national university entrance exam. However, I was still mystified by the accordion episode, so went in search of other answers. A Chinese friend who works in the music field told me that for the last 10 years, traditional wisdom held that anyone who wanted to go abroad to study or get a job with a western company must play a western classical instrument. This belief arose from the following supposedly true story, which had circulated widely.

A young Chinese man interviewed for a job with a multinational corporation. The interviewer asked the man what abilities and skills he had in addition to those necessary to do the job. The job-hunter said he could play piano. The foreign executive happened to have a piano in the adjoining conference room, made the applicant prove it, and subsequently offered him the position. The young man was convinced that his piano-playing won him the job, and spread the story of his success. Urban legend?  I’d love to hear whether my Chinese colleagues have heard the same story.

Getting a Kick Out of Arrangements

Tuesday, May 19th, 2009

By Andy Hertz

I was listening to an album that I purchased the other day: Sinatra Reprise: The Very Good Years. It’s a compilation of Sinatra’s Reprise hits including “I Get a Kick out of You” from the musical Anything Goes by Cole Porter. This arrangement is by Neal Hefti. I wrote a paper on this album in college, and I remembered the idiosyncrasies I identified in Hefti’s arrangement: syncopated rhythmic hits, extremely low trombone notes, lots of “wah-wahs” on the trumpets, call and response between the brass and reeds, etc.

I don’t remember analyzing these idiosyncrasies towards one single conclusion, though. The conclusion is obvious to me now: The orchestration was intended to be humorous. It’s entirely based around the word “kick.” It’s difficult to write music without lyrics that gets laughs (cries are much easier). I’m interested in other examples of “funny” art music. Haydn’s music is apparently full of laughs (most famously Symphony No. 94 – the “Surprise Symphony.”)

Listen to a Sinatra clip at: http://www.amazon.com/Sinatra-Reprise-Very-Good-Years/dp/B000002LOI