Archive for December 19th, 2013

Beware of Simple Answers!

Thursday, December 19th, 2013

By Brian Taylor Goldstein, Esq.

Dear Law and Disorder:

I work with an artist whose current US visa expires in January 2014, but he has one engagement in the US on March 8, 2014. The promoters are saying that he won’t need to renew his visa and can just use ESTA, however, we were under the impression that he would need a valid US visa. Is this correct?

You are absolutely correct. He will require an O-1 visa.

ESTA stands for “Electronic System for Travel Authorization.” ESTA is an on-line registration system for citizens of countries who participate in the United States Visa Waiver Program (“VWP”). Citizens of VWP countries are not required to visit a US consulate and apply for physical visitor visa (B-1/B-2) to enter the US as visitors. Instead, they are only required to have a valid passport from a VWP country. However, they are required to register on-line through ESTA and be pre-authorized before they can enter the US.

The key, of course, is that the VWP program only allows citizens of VWP countries to enter the US as “visitors.” As such, they can only engage in visitor permitted activities: shopping, sightseeing, business meetings, etc. Under US Immigration Law (frustrating and circuitous though it may be), professional artists who enter the US as visitors are not permitted to engage in ANY public performances–regardless of whether or not an artist is paid, regardless of whether or not tickets are sold, regardless of whether or not the performances is for a benefit or a gala, regardless of whether or not the performance is for a university or non-profit, regardless of whether or not you can afford the visa process, regardless of whether or not the artist lives 100s of miles from the nearest US consulate, regardless of whether or not the artist has previously performed in the US as a visitor, etc, etc.

While artists frequently do sneak in as visitors and perform, this poses far more risk to the artist than to the venue or promoter. If the artist is caught, the worst that happens to the promoter or venue is that the artist can’t enter the US and the concert may have to be cancelled. However, a fraudulent VWP/ESTA entry can result in the artist having his VWP privileges revoked, or worse.

I am currently working with a prominent artist who wanted to take a last minute engagement, didn’t have time to petition for a visa, much less go to the consulate, and decided to enter the US as a visitor. Unfortunately, his concert had been prominently advertised, he was caught by the one of the few border officers who actually follow classical music, and was refused entry. For the next five years, the artist must now formally request a “waiver” anytime he wants to obtain a proper O-1 visa to perform in the US. As you may imagine, this has caused considerable stress to his management because a “waiver” request adds an additional 3 – 4 week delay in processing the artist’s visa. In addition, his VWP privileges were revoked, meaning that he must go through the time and hassle of applying for a formal B-1/B-2 visitor visa even if he legitimately only wants to enter the US as a visitor.

I doubt seriously that the promoter was intentionally giving bad advice. More than likely, the promoter was ill-informed. Which only underscores the responsibility of each of us to take the time to learn and figure out the correct answers for ourselves rather than rely on hearsay or anecdotal information. Whether you’re dealing with visas, taxes, licenses, or liability, if the answer seems too simple, it probably is.

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Hi Everyone! “Law and Disorder: Entertainment Division” will be taking a holiday break. Our next post will be on January 8, 2014. Many thanks for a wonderful year of great questions and challenges. Keep them coming! 

OFFICIAL HOLIDAY WISH CONVEYANCE

From Brian Taylor Goldstein and Robyn Guilliams (collectively, the “Wishor”) to you (“Wishee”):  

Please accept without obligation, implied or implicit, and weather permitting, our non-assignable and non-exclusive best wishes for a sold out, standing room only, royalty abundant, lavishly licensed, critically acclaimed, non-cancelable, infringement free, profusely booked, copiously commissioned, richly funded, tax-exempt, crisis deficient, and artistically inspired celebration of the winter solstice holiday, practiced within the most enjoyable traditions of the religious and/or secular persuasions of your choice, including their choice not to practice any such religious or secular traditions, along with an environmentally conscious, socially responsible, spiritually enlightened, politically correct, low stress, low carb, high HDL, non-addictive, financially successful, personally fulfilling, and medically uncomplicated recognition of the onset of the generally accepted calendar year 2014, but with due respect for the calendars of choice of other cultures or sects, and without regard to the race, creed, color, age, physical ability, religious faith, choice of computer platform or operating system, mental and/or physical incapacities, visa classification period, sexual preferences, political affiliations, and/or dietary preferences of the Wishee.

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For additional information and resources on this and other GG_logo_for-facebooklegal and business issues for the performing arts, visit ggartslaw.com

To ask your own question, write to lawanddisorder@musicalamerica.org.

All questions on any topic related to legal and business issues will be welcome. However, please post only general questions or hypotheticals. GG Arts Law reserves the right to alter, edit or, amend questions to focus on specific issues or to avoid names, circumstances, or any information that could be used to identify or embarrass a specific individual or organization. All questions will be posted anonymously.

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THE OFFICIAL DISCLAIMER:

THIS IS NOT LEGAL ADVICE!

The purpose of this blog is to provide general advice and guidance, not legal advice. Please consult with an attorney familiar with your specific circumstances, facts, challenges, medications, psychiatric disorders, past-lives, karmic debt, and anything else that may impact your situation before drawing any conclusions, deciding upon a course of action, sending a nasty email, filing a lawsuit, or doing anything rash!

 

A Full-Time Labor of Love

Thursday, December 19th, 2013

By: Edna Landau

To ask a question, please write Ask Edna.

As the year is about to draw to a close and the holiday gift giving season is upon us, I have decided to shine a spotlight on an individual who for the past fourteen years has given an extraordinary gift to music lovers in southern California and beyond. His name is Jim Eninger and every week during the concert season, he publishes The Clickable Chamber Music Newsletter for Southern California, an exhaustive summary of virtually all concerts taking place in the area, which is disseminated for free to over six thousand subscribers. (A typical print-out of this newsletter runs over thirty pages.)

When Mr. Eninger first launched the newsletter, he researched and compiled the comprehensive list of concerts himself, an investment of forty to sixty hours a week. Today, he has streamlined the process by suggesting that performing artists post their concert information directly on the website of Performing Arts LIVE, a valuable resource founded and maintained by fellow chamber music devotee Michael Napoli, who is its Executive Director. He then provides a link to the website in his newsletter so that his readers can peruse the comprehensive list of concerts in their own browsers. A particularly valuable section of Jim Eninger’s newsletter is called “Highlights and Hidden Gems: Select Concerts Not to be Overlooked.” This section typically includes the concert program as well as background information about the performers, which is generally infused with Eninger’s well-informed impressions from past performances. On occasion, he sends separate attractively prepared e-flyers to his readers about some of these concerts, having always enjoyed graphic design as a sideline. Mr. Eninger told me that he tries to feature fledgling series with high artistic merit that need extra help taking root. What a noble goal!

In recent years, with the help of a dedicated group of volunteers, Mr. Eninger has been able to expand the newsletter to include items of general interest to his readers, as well as reviews of recent chamber music concerts and interviews relating to upcoming concerts. (I particularly enjoyed the following listing, accompanied by a link: Dan Kepl interviews skydiving duo pianists Gavin Martin and Joanne Pearce Martin on the eve of their concerts with Camerata Pacifica.) Volunteers also contribute content regarding guitar, vocal and orchestral concerts in the region.

Who is Jim Edinger? In a Los Angeles Times article by Chris Pasles entitled “His Grapevine, an Arts Lifeline”, we learn that he is a retired TRW aerospace engineer. He enjoyed classical music as a child and took in occasional symphony concerts and opera performances during his student days at Stanford. While working at TRW, he learned about the South Bay Chamber Music Society and began attending their concerts. (He later became their president.) The precursor of today’s newsletter was an e-mail that Eninger sent out called “Chamber Music Letter from the South Bay”, informing people about upcoming concerts of the society. Jim Eninger’s activities as an impresario have always intersected with his “clickable” hobby. He co-produces the Classical Crossroads Concert Series with Artistic Director, Karla Devine, regularly proposing artists for her consideration, and is also actively involved with the planning and running of the Sundays at Two concerts at Rolling Hills Methodist Church. He has been an active supporter of the Beverly Hills Auditions and is proud that today, the Auditions provide a significant showcase for young performers to be heard in multiple concerts by a consortium of over fifty southern California chamber music presenters. All of this is pretty remarkable for someone who never had a formal music education. His generosity and dedication inspire immense praise from leaders in the southern California music scene.  Neal Stulberg, acclaimed pianist, conductor and Director of Orchestral Studies at UCLA’s Herb Alpert School of Music, has said: “Jim is one of the people for whom Los Angeles is named.” Movses Pogossian, Professor of Violin at the UCLA Herb Alpert School of Music and Artistic Director of the Dilijan Chamber Music Series told me: “Jim certainly deserves to be serenaded and worshipped for all the service that he renders our community. He has been absolutely invaluable to countless small music organizations (such as our Dilijan Chamber Music Series, which can’t afford “real” advertising), spreading the most important information to his many subscribers week after week for many years. I have learned so often about wonderful concerts happening in the area because of Jim and his newsletter. Especially touching and useful is his support of start-ups and talented young performers. He lives for music and it is always wonderful to see him and his lovely wife Mary at many concerts in town. Heartfelt thanks and appreciation. My hat goes off to him!”

Bravo to you, Jim Eninger, as you enter your 15th season as Editor-in-Chief of your invaluable newsletter. May you continue to produce it and inspire present and future chamber music aficionados for many years to come.

To ask a question, please write Ask Edna.

©Edna Landau 2013

Note to our readers: To receive the Clickable Chamber Music Newsletter, please make your request via e-mail to JEninger@yahoo.com.

“Ask Edna” will resume on January 9. A very happy holiday season to all.