Archive for January, 2020

Wasn’t There a Revolution in France?

Saturday, January 18th, 2020

By: Frank Cadenhead. When I heard that there was a box in the Opéra-Comique that was still in the possession of an aristocratic family, I thought it was a joke. There is a French version of The Onion available but this item was in Le Monde.

It appears that Louis XVI gave a box as a gift to Duke Etienne-François de Choiseul in 1781. Choiseul was Secretary of State for Foreign Affairs under Louis XV, among other posts. Next to the former royal box, it has remained in the same family for well over two centuries, and that is now ten or twelve generations. That is no small achievement because the family’s right to the box, according to the gift order, would expire without a male heir to continue their occupancy.

The Opéra-Comique’s long-time press rep, Alice Bloch, explained that the revolution I remembered reading about, in 1789, did not affect cultural matters. It actually did have a substantial impact and the “court” fashion in art and music immediately disappeared. One example is my encounter with a young couple who were restoring an important chateau they owned in the north of France.  There was a large room with walls completely covered by mirrors. When they started removing the mirrors for restoration, they discovered that the walls of the entire room were covered by an important but seriously degraded fresco by Antoine Watteau. A central figure in the Rococo period of French art, his art would have been seriously “out of fashion” after the revolution. While paintings of this nature usually ended upon the basement, the aristocrats who then owned the chateau felt compelled to create a minor “Hall of Mirrors” to hide the fresco.

But, somehow, the Comique’s gift box keeps on giving. In the past two centuries expanding waist-lines and various fires and restorations have reduced by half the original number who attended performances at the Comique and the Choiseul box, originally for 12, now seats five. This means that the Comique looses a five figure number for seats it cannot sell – between 20,000 and 40,000 euros each year. The good news is that the family and their friends are regulars at this historic theater and there is seldom empty seats.

Avoiding A Trip to A U.S. Consulate

Tuesday, January 14th, 2020

Depending on the consulate and a person’s nationality, a “renewal by mail” option is “sometimes” available for artists who are applying for the same visa (O, P, F, etc) within 1 year of the last one. For example, a famous conductor who comes to the U.S. each year on O-1 visas and who gets approved for a new one within 12 months of the last one, may insist that he remain on his beach chair on the Costa del Sol and have his manager mail in his passport and visa application to the consulate and a request a waiver of a personal interview. However, the process is discretionary and the consulate can always insist on an interview—which they almost always do anyway these days. While its less likely for them to refuse an interview waiver for an O-1 visa, they will almost always do so for O-2 and P visas. We also know of artists whose passports have been lost in a consulate’s mail room or even sent to the wrong consulate.

We recently had a manager contact us about at artist who was approved for an O-1 visa and who selected the option to apply for her visa by mail rather to come in for an in-person interview…and then had her application refused and was told she needed to come in for an interview anyway. By the time she get her passport back in the mail to her, it was too late for her to schedule an interview, travel to the consulate, and get the visa in time for her U.S. date. So, the date had to be cancelled.

The good news, such as it is, is that having an application “refused” is not the same thing as a “denial” so it will not impact future applications. The bad news is that it make cause delays and subsequent date cancellations as in this case.

Given the less than welcoming nature of the U.S. these days, we recommend that even if one is, in fact, eligible to renew a visa by mail, artists should ALWAYS go to a consulate for an interview anyway. Put down the mojito and tell Maestro Altercocker he needs to go to Madrid.

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For additional information and resources on this and other legal, project management, and business issues for the performing arts, as well as to sign up for our newsletters and follow us on social media visit ggartslaw.com
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THE OFFICIAL LEGALESE:

THIS IS NOT LEGAL ADVICE! The purpose of this blog is to provide general advice and guidance, not legal advice. Please consult with an attorney familiar with your specific circumstances, facts, challenges, medications, psychiatric disorders, past-lives, karmic debt, and anything else that may impact your situation before drawing any conclusions, deciding upon a course of action, sending a nasty email, filing a lawsuit, or doing anything rash!