Archive for July, 2020

USCIS May Be Coming After Unemployed Foreign Artists

Thursday, July 30th, 2020

We have seen two Requests for Evidence (RFE) this week for foreign artists who are currently in the U.S. with O-1 classification (both of whom have been previously approved for O-1 classification multiple times) and who filed new O-1 petitions to extend their status and remain in the U.S. In each case, neither artist has had any engagements since early this year as, like everyone, all of their engagements were cancelled due to Covid-19. In each case, the RFE has asked for proof that the artist has maintained their status by having work or other valid employment between March 2020 and now.

USCIS is taking the position that remaining in the U.S. without work violates their O-1 classification regardless of the reason. While this requirement is technically correct, in my experience (and I am quite old) this rule has never previously been applied to artists as they are not required to have full-time employment in the first place. Regardless, taking this position at this time knowing that the entire performing arts world has been shut down and that many artists cannot logistically or safely leave the U.S. is unconscionable, shameful, callous, immoral, and sinister. (Which, as it happens, spells U.S.C.I.S.) In one instance, USCIS actually took the time to go onto an artist’s website to see that all of the artist’s spring dates were cancelled!  

Whether or not two instances counts as a trend is debatable. However, when it comes to USCIS, I have always taken the position that it only takes one pig to nose its way out of the sty and soon the rest will follow. And, on this particular farm, all of the farmers are too tap-shackled in a bacchanalian orgy of hydroxychloroquine and bleach to notice what their pigs are up to.

So, when preparing O or P petitions for artists who are currently in the U.S. and wish to extend their status and remain, we recommend the following:  

  • Do not list any cancelled dates on an artist’s website.
  • Do not mention in the petition that the artist’s recent U.S. dates were cancelled and have been re-scheduled for 2021. (Yes, one of the aforementioned cases did that.)
  • A petition must provide some type of evidence that the artist has been working during the pandemic. As artists are required to have work authorization regardless of whether or not they were paid, this does not have to include paid engagements. Anything that required the artist to be physically present in the U.S. will work: on-site rehearsals, in-person teaching, or live recordings or streaming with U.S. artists which could not have taken place outside of the U.S. There should also be no gaps longer than 60 days between such engagements.
  • You can use pay-stubs, emails, letters, or anything other than from the artist or the artist’s manager as proof.
  • This will also apply with regard to an artist’s future engagements listed on the petition. As no one knows when anyone will ever get back inside a theater or concert hall, many future engagements are being booked as streamed concerts. Such concerts must require the artist to be physically in the U.S., such as on-site rehearsals, in-person teaching, or live recordings or streaming with U.S. artists which could not have taken place outside of the U.S.
  • Both RFEs have taken issue with the fact that the artist’s future engagements have gaps in excess of 60 days. While there is no formal rule on how much time is allowed between engagements, in practice we have never seen USCIS baulk at anything less than 90 days. They seem now to have defaulted to 60 days.  

While there has been no formal announcement regarding new policies, USCIS did formally clarify last month its longstanding policy that USCIS examiners have broad interpretive discretion to determine whether or not a petitioner has satisfied the requirements for a visa petition to be approved—which usually involves the examiner consulting with the gods of their reptilian forbears. As only a few weeks ago, the White Pride Piper attempted to kick out foreign students altogether for taking on-line classes, I am not surprised to see yet another effort to cull anyone they feel should not be here unemployed.

And I still don’t know when U.S. Consulates will start issuing visas again or how long the travel bans on citizens from certain countries being able to enter the U.S. will remain in place…although I cannot fathom why anyone would want to come here at the moment anyway.    


For additional information and resources on this and other legal, project management, and business issues for the performing arts, as well as to sign up for our newsletters and follow us on social media visit OUR BRAND NEW WEBSITE: ggartslaw.com


THE OFFICIAL LEGALESE:

THIS IS NOT LEGAL ADVICE!

The purpose of this blog is to provide general advice and guidance, not legal advice. Please consult with an attorney familiar with your specific circumstances, facts, challenges, medications, psychiatric disorders, past-lives, karmic debt, and anything else that may impact your situation before drawing any conclusions, deciding upon a course of action, sending a nasty or threatening email to someone, filing a lawsuit, or basically doing anything that may in any way rely upon an assumption that we know what we are talking about.

July 14th Concert in Paris

Wednesday, July 15th, 2020

By Frank Cadenhead.

The July 14th Concert at the foot of the Eiffel Tower in Paris went ahead as planned last night – with some adjustments for the current health climate. This iconic Bastille Day event, followed by a famous fireworks display, is now in the eighth year, and was televised in France, on Eurovision throughout Europe, and on television in more than 50 countries and on the internet around the world.

Conducted by Eun Sun Kim, the Orchestre National de France had only 65 musicians on stage for this performance (about half of normal) but was also on occasion joined by the children’s and adult Radio France choirs on stage garding a certain space between each vocalist. The star-filled lineup includes singers Ludovic Tézier, Benjamin Bernheim, Fatma Said, Sonya Yoncheva, the cellist Sol Gabetta, violinist Lisa Batiashvili, with 21-year-old Lucienne Renaudin Vary on the trumpet playing music from West Side Story, and pianist Khatia Buniatishvili. The lack of audience drained some of the spirit out of the event and the only applause for the performers was from the orchestra members themselves. Looking briefly at the long and empty park space, Champ de Mars in front of the stage was sad, remembering that the previous year counted some 300,000 attendees. Seeing the sun set on Paris from the circulating helicopter, however, gave some solace. It was followed by the spectacular fire works display using the Eiffel Tower as the centerpiece.

The only part of the concert now on YouTube is Yoncheva singing “Eben? Ne andro lontana” from Catalani’s La Wally – the aria brought to the world by the film Diva. The entire concert will probably be available on YouTube soon.

Trump Punishes Students For Taking On-Line Classes

Tuesday, July 7th, 2020

Last night, July 6, 2020, Immigration and Customs Enforcement (ICE) announced that all F-1 (student) visa holders attending schools that have decided to operate entirely on-line for the fall 2020 semester due to the COVID-19 pandemic will not be permitted to take a full online course load and remain in the U.S., forcing schools and non-U.S. students to make potentially life-threatening decisions if non-U.S. students wish to enter and/or remain in the U.S.

Click Here to read the proclamation:

Students who are currently outside the U.S. and are enrolled in schools that will be offering only on-line courses during the fall 2020 semester will not be permitted to receive F-1 visas (assuming they can find an open consulate) or enter the U.S. (assuming they are not already a citizen on the list of banned countries.) Such students who are already in the U.S. and enrolled in such programs will be required either to depart the U.S. or transfer to a school which will be offering in-person and/or on-campus courses. If they fail to do so, they will be subject to deportation proceedings.

Students attending schools that have decided to adopt a hybrid model—that is, a mixture of on-line and in-person instruction—will be permitted to remain and/or enter the U.S. provided such students are not taking an entirely on-line course load for the fall 2020 semester and are taking only the minimum number of on-line classes required to make normal progress in their degree program.

No, we do not actually know how they will define “the minimum number of online classes required to make normal progress in their degree program. Presumably, they will be looking for hybrid programs that require the majority of the course instruction to be in-person as opposed to on-line. In other words, offering or requiring only a single in-person course and everything else on-line may not be sufficient.

ICE has also given no clarification on how hybrid programs will be required to schedule the on-line versus in-person instruction throughout the fall 2020 semester. That is, we do not know whether or not F-1 students who are already outside of the U.S. will be permitted to enter if the first half of their fall 2020 semester will be on-line only with in-person courses to be determined later in the semester. They could be denied entry or required to leave until they will actually be taking in-person courses.

There is no indication at this time that this rule will have any impact on F-1 students who have completed their course of study and have either already been approved for or are eligible for OPT. They are not required to be taking courses in the first place as, presumably, they have already graduated. Those students on CPT, on the other hand, WILL be subject to these new rules. While there is not much we know definitively, at this time we are recommending the following:

  • Schools should consider developing hybrid programs that provide for some degree of socially distanced in-person rehearsals or one-on-one instructions throughout the fall 2020 semester.
  • Ensure that all F-1 students who are currently outside the U.S. be given additional  documentation from their school that they can provide to consulate and immigration  officers confirming that (i) they are not taking an entirely on-line course load and (ii) if the first part of the fall 2020 semester will be on-line, why such courses cannot be taken  outside of the U.S.
  • Presenters, venues, agents, and managers should confirm that any F-1 artists they have engaged or represent are enrolled in schools with eligible hybrid programs for the fall 2020 semester.    
  • Consider switching eligible students from F-1 to O-1 sooner rather than later.

There has been some speculation as to the motivations behind this, including that the White Pride Piper wants to force schools to re-open. More likely, however, is that he is taking advantage of the pandemic to further his previously stated desire to limit the number of F-1 students in the U.S. It has long been the opinion of the Ringwraiths in his administration that F-1 students pose an inherent threat to our self-perceived greatness.

Lastly, just as a reminder, many U.S. Consulates remain closed and the travel bans on citizens from certain countries being able to enter the U.S. remain in place.


For additional information and resources on this and other legal, project management, and business issues for the performing arts, as well as to sign up for our newsletters and follow us on social media visit ggartslaw.com


THE OFFICIAL LEGALESE:

THIS IS NOT LEGAL ADVICE!

The purpose of this blog is to provide general advice and guidance, not legal advice. Please consult with an attorney familiar with your specific circumstances, facts, challenges, medications, psychiatric disorders, past-lives, karmic debt, and anything else that may impact your situation before drawing any conclusions, deciding upon a course of action, sending a nasty or threatening email to someone, filing a lawsuit, or basically doing anything that may in any way rely upon an assumption that we know what we are talking about.