Archive for the ‘Copyrights’ Category
Monday, June 24th, 2024
LAW & DISORDER Performing Arts Division June 25, 2024 INSIDE THIS ISSUE: • A National Ban on Performance Exclusivity Clauses • Posting Recordings on Websites • Artist Visa News, Nausea & Updates • Your Contract Playlist Legal Issue of the Month: Will a New National Ban on Non-Compete Agreements Also Apply to Performance […]
Read the rest of this article »
Tags: artist management, artist visas, arts management, Contracts, Copyrights, Licenses, venues, visas
Posted in Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Presenters, Uncategorized, Visas | Comments Off on • A National Ban on Performance Exclusivity Clauses • Posting Recordings on Websites • Artist Visa News, Nausea & Updates • Your Contract Playlist
Wednesday, June 15th, 2016
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: So, it seems we have ourselves a bit of questionable “inspiration” on our hands. The inventive work of one of our roster artists uses overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, to create shows. And, […]
Read the rest of this article »
Tags: choreography, copy, copyright, copyright infringement, copyright law, Copyrights, dramatic license, permission
Posted in Copyrights, Law and Disorder: Performing Arts Division, Licensing | Comments Off on Don’t Toss A Banana To A Monkey If You Don’t Want The Monkey To Eat It
Thursday, February 18th, 2016
By Brian Taylor Goldstein, Esq. I haven’t found an example that matches the situation of a 501(c)(3) I am familiar with. They throw a once-yearly art festival that spans a weekend (2days). They don’t charge the public any admittance. They raise money by charging fees for booth (10×10) spaces for (visual) arts vendors to […]
Read the rest of this article »
Tags: artist, ascap, bmi, composer, composers, composition, copyright, copyright act, copyright infringement, copyright law, Education, Festival, Liable, license, music, musical composition, musician, non profits, original music, performance license, performer, permission, presenter, promoter, publishing company, risk, sesac, venue
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Venues | Comments Off on Who Has To Pay The Likes of ASCAP, BMI, Etc?
Thursday, October 29th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder In reviewing an engagement contract for one of my artists, I was surprised to see that the presenter wants the right to record the artist’s performance as a “work-for-hire”. The Presenter says that this is a standard requirement and also that its reasonable because my […]
Read the rest of this article »
Tags: contract, engagement contract, excerpts, marketing, music, ownership, presenter, recording, release, work
Posted in Artist Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Music Rights, Recordings | Comments Off on Press “Pause” On That Recording
Wednesday, September 16th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder Could you please advise how a copyright application would be filed for a tribute musical of deceased popular singer? The show would consist of all of his songs. Would it be better to file it as a compilation or concert? Can all the songs be […]
Read the rest of this article »
Tags: composer, composers, copyright, copyright infringement, creator, license, music, orchestrations, ownership, recording, work
Posted in Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Trademarks | Comments Off on A Tribute To Copyright Infringement
Thursday, May 28th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Every time someone sends us a contract, its always a lengthy document with lots of legalese that no one understands. Is there anything wrong with having a simple, one page agreement that everyone can easily understand and will sign? A lot of people mistake “legalese” […]
Read the rest of this article »
Tags: agent, assumptions, attorney, commissions, contract, Contracts, copyright, damages, dispute, engagement contract, excerpts, lawsuit, lawyer, license, presenter, recording, Tour, venue, visas
Posted in Agents, Artist Management, Arts Management, Contracts, Copyrights, Insurance, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Touring, Venues | Comments Off on Understanding Legalese
Wednesday, March 25th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Hypothetical: A theatrical production company would like to produce a tribute musical production to a songwriter using only the songwriter’s music being performed by the cast of the production. The production would be held at a community theater which is not licensed by ASCAP or any […]
Read the rest of this article »
Tags: ascap, bmi, composer, composers, dramatic license, Licensing, necessary licenses, performance license, performer, sesac, songwriter, venue, work
Posted in Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Presenters, Publishing, Venues | Comments Off on Don’t Be Shy About BMI
Thursday, November 20th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: What rights does a translator have? I translated a non-English script into English. All of the prior translations were very bad, which is why I did my own. Everyone agrees mine is the best, even the original author. However, now that I am getting offers […]
Read the rest of this article »
Tags: artist, composition, copy, copyright, copyright infringement, Copyrights, music, ownership, permission, royalties
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Publishing | Comments Off on How Is Copyright Infringement Like An Ugly Car?
Thursday, July 10th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: An orchestra commissioned one of our artists to make an arrangement of a work for them to perform. We agreed that it would be a “work for hire.” Now, the orchestra wants to record their performance of the arrangement and has come to us asking […]
Read the rest of this article »
Tags: artist, Brian Taylor, composer, Goldstein, license, mechanical license, music, orchestra, permission, royalties, royalty, work
Posted in Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Recordings | Comments Off on When Is A “Work For Hire” Not A “Work For Hire”?
Thursday, June 12th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A longtime friend who is also a very successful artist who I greatly respect, asked me to do a project with him. He sent me a contract, but it doesn’t cover things like when and how I get paid. I want to mark up the […]
Read the rest of this article »
Tags: artist, attorney, breach, breaches, Brian Taylor, contract, Contracts, exclusivity, Goldstein, insurance, lawsuit, lawyer, license, music, negotiation, presenter, promoter, recording, risk, visas, work
Posted in Acts of God, Agents, Artist Management, Arts Management, Contracts, Copyrights, Insurance, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Presenters, Publishing, Recordings, Taxes, Touring, Venues, Visas | Comments Off on The Lost Art of Negotiation