Archive for the ‘Music Rights’ Category
Thursday, December 8th, 2022
LAW & DISORDER Performing Arts Division December 8, 2022 INSIDE THIS ISSUE > Artist Visa Updates < > Force Majeure Clauses < > Streaming Licenses < > Congratulations! < > Deep Thoughts < Artist Visa Updates • Current USCIS Service Center Processing Times Vermont Service Center: Standard Processing: 4 – 6 weeks Premium […]
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Tags: acts of god, artist visas, Felkel, force majeure, streaming, streaming rights
Posted in Contracts, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Uncategorized, Visas | Comments Off on Artist Visa Updates, Force Majeure Clauses, Streaming Licenses, and Deep Thoughts
Monday, June 15th, 2020
(Understanding Streaming Rights) As we all try to figure out how to cobble the performing arts world together, more and more venues, presenters, and artists are turning to streaming–live streams, virtual performances, and showing archived footage of previously recorded concerts. For now, these efforts are critical as a means to stay connected with audiences. Soon, […]
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Tags: Licensing, streaming, streaming music, streaming rights
Posted in Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Uncategorized | Comments Off on WE ALL NEED TO STREAM SOMETIME
Wednesday, September 6th, 2017
By Brian Taylor Goldstein, Esq. We hope everyone had a great summer. Sorry we haven’t posted in a while, but we’ve been a bit “pre-occupied” with in the world of artist visas. It seems something changes every time Trump breaks wind. So, let’s take a break and go address two completely non-visa related questions that […]
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Tags: Contracts, copyright, engagements, license
Posted in Artist Management, Contracts, Law and Disorder: Performing Arts Division, Licensing, Music Rights | Comments Off on THE TRIALS AND TRIBULATIONS OF A TRIBUTE BAND
Thursday, February 18th, 2016
By Brian Taylor Goldstein, Esq. I haven’t found an example that matches the situation of a 501(c)(3) I am familiar with. They throw a once-yearly art festival that spans a weekend (2days). They don’t charge the public any admittance. They raise money by charging fees for booth (10×10) spaces for (visual) arts vendors to […]
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Tags: artist, ascap, bmi, composer, composers, composition, copyright, copyright act, copyright infringement, copyright law, Education, Festival, Liable, license, music, musical composition, musician, non profits, original music, performance license, performer, permission, presenter, promoter, publishing company, risk, sesac, venue
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Venues | Comments Off on Who Has To Pay The Likes of ASCAP, BMI, Etc?
Thursday, November 19th, 2015
By Brian Taylor Goldstein, Esq. As the U.S. Legal Advisor to the International Artist Managers’ Association (IAMA), I’ve been asked to prepare an update on a variety of current issues involving international touring at the next membership meeting in London on November 27, 2015. Not only do I adore IAMA, but as this would provide […]
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Tags: boilerplate, canadian performers, contract, engagement fees, engagements, Festival, immigration, irs, ITIN, Licensing, London, money, musician, negotiation, opera, orchestra, orchestras, passports, payment, performer, petitions, presenter, processing times, SSN, tax return, Tour, travel, uscis, venue, visa petition, visa petitions, visas, waiver, work, work authorization
Posted in Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Taxes, Touring, Visas | Comments Off on International Touring: A Report From The Front Lines
Thursday, October 29th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder In reviewing an engagement contract for one of my artists, I was surprised to see that the presenter wants the right to record the artist’s performance as a “work-for-hire”. The Presenter says that this is a standard requirement and also that its reasonable because my […]
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Tags: contract, engagement contract, excerpts, marketing, music, ownership, presenter, recording, release, work
Posted in Artist Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Music Rights, Recordings | Comments Off on Press “Pause” On That Recording
Wednesday, September 16th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder Could you please advise how a copyright application would be filed for a tribute musical of deceased popular singer? The show would consist of all of his songs. Would it be better to file it as a compilation or concert? Can all the songs be […]
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Tags: composer, composers, copyright, copyright infringement, creator, license, music, orchestrations, ownership, recording, work
Posted in Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Trademarks | Comments Off on A Tribute To Copyright Infringement
Thursday, July 9th, 2015
By Brian Taylor Goldstein, Esq. We spent a lot of money making a CD to promote our orchestra. Now the composer’s publisher wants mechanical royalties. I just don’t understand why I have to pay mechanical royalties for a CD I am not selling, just giving to donors. Doesn’t the Composer want people to listen […]
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Tags: artist, ascap, bmi, CD, commission fee, commissions, composer, composers, composition, entertainment industry, license, mechanical royalties, money, music, musician, orchestra, performance license, performer, playwright, recording, royalty, sesac, work
Posted in Contracts, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings | Comments Off on When Is A Plumber Worth More Than A Violinist?
Thursday, May 28th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Every time someone sends us a contract, its always a lengthy document with lots of legalese that no one understands. Is there anything wrong with having a simple, one page agreement that everyone can easily understand and will sign? A lot of people mistake “legalese” […]
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Tags: agent, assumptions, attorney, commissions, contract, Contracts, copyright, damages, dispute, engagement contract, excerpts, lawsuit, lawyer, license, presenter, recording, Tour, venue, visas
Posted in Agents, Artist Management, Arts Management, Contracts, Copyrights, Insurance, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Touring, Venues | Comments Off on Understanding Legalese
Wednesday, March 25th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Hypothetical: A theatrical production company would like to produce a tribute musical production to a songwriter using only the songwriter’s music being performed by the cast of the production. The production would be held at a community theater which is not licensed by ASCAP or any […]
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Tags: ascap, bmi, composer, composers, dramatic license, Licensing, necessary licenses, performance license, performer, sesac, songwriter, venue, work
Posted in Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Presenters, Publishing, Venues | Comments Off on Don’t Be Shy About BMI