Archive for the ‘Arts Management’ Category
Monday, June 24th, 2024
LAW & DISORDER Performing Arts Division June 25, 2024 INSIDE THIS ISSUE: • A National Ban on Performance Exclusivity Clauses • Posting Recordings on Websites • Artist Visa News, Nausea & Updates • Your Contract Playlist Legal Issue of the Month: Will a New National Ban on Non-Compete Agreements Also Apply to Performance […]
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Tags: artist management, artist visas, arts management, Contracts, Copyrights, Licenses, venues, visas
Posted in Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Presenters, Uncategorized, Visas | Comments Off on • A National Ban on Performance Exclusivity Clauses • Posting Recordings on Websites • Artist Visa News, Nausea & Updates • Your Contract Playlist
Thursday, January 28th, 2021
EXPLORING NEW BUSINESS MODELS AND PRACTICES IN THE PERFORMING ARTS IN A POST-COVID WORLD By Brian Taylor Goldstein Aside from thwarting a clown car coup, 2021 is certainly not off to the auspicious start we all had hoped for. Nonetheless, it is with trepidatious optimism that we find ourselves crawling out from our burrows like […]
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Posted in Artist Management, Arts Management, Contracts, For Profits, Law and Disorder: Performing Arts Division, Non-Profits, Publishing, Recordings, Unions, Venues | Comments Off on HOW TO FIX EVERYTHING
Monday, June 15th, 2020
(Understanding Streaming Rights) As we all try to figure out how to cobble the performing arts world together, more and more venues, presenters, and artists are turning to streaming–live streams, virtual performances, and showing archived footage of previously recorded concerts. For now, these efforts are critical as a means to stay connected with audiences. Soon, […]
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Tags: Licensing, streaming, streaming music, streaming rights
Posted in Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Uncategorized | Comments Off on WE ALL NEED TO STREAM SOMETIME
Friday, March 13th, 2020
By Brian Taylor Goldstein In short, not much. As you can imagine, this was announced without any details as to how, exactly, this was going to work in terms of screening, implementation, flight schedules, etc. But here what we know so far… Anyone who has been in one of the 26 European countries in the […]
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Tags: acts of god, consulates, Coronavirus, Force majeur, travel, travel ban
Posted in Acts of God, Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Touring, Uncategorized, Visas | Comments Off on What We Know So Far About Trump’s Coronavirus Travel Ban
Friday, March 13th, 2020
I, like most of you, was ingrained with the paradigm that the show must go on no matter what—to the extent that I once performed a whole show the day after I had all four wisdom teeth extracted. However, these are extraordinary times. The live, performing arts will not suffer more than any other economic […]
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Tags: act of god, Force majeur, ticket refunds
Posted in Acts of God, Arts Management, Law and Disorder: Performing Arts Division, Venues | Comments Off on Please Consider Donating Cancelled Tickets Rather Than Seek Refunds
Tuesday, February 27th, 2018
By Brian Taylor Goldstein Dear Law and Disorder: I am a musician on an O-1 visa that my agent got for me. It covers multiple engagements. Last September, I was hired to be a section musician with an orchestra. They have been paying me up until now, but now they are saying that legally they […]
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Tags: contract, employment, immigration, independent contractor, uscis, visa petition, visas, work
Posted in Arts Management, Employees, Independent Contractors, Law and Disorder: Performing Arts Division, Visas | Comments Off on CAN A U.S. ORCHESTRA REFUSE TO PAY A NON-U.S. MUSICIAN?
Friday, March 3rd, 2017
By Brian Taylor Goldstein The following situation was recently brought to our attention and we felt obligated to comment: http://www.avclub.com/article/sxsw-threatens-international-artists-deportation-p-251394?utm_source=facebook&utm_medium=ShareTools&utm_campaign=default https://www.theguardian.com/culture/2017/mar/02/sxsw-immigration-told-slant-contract-trump-travel-ban http://www.rollingstone.com/music/news/sxsw-responds-to-artist-immigration-controversy-w470167 Since this issue arose, the festival’s Managing Director has issued multiple “updates” and “clarifications” that are disingenuous or, at best, ill-informed. First, he contends that the contract provision regarding non-work visa violations is […]
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Tags: clarifications, contract, contractual terms, immigration, immigration law, presenter, travel, venue, visas, work visa
Posted in Arts Management, Contracts, Law and Disorder: Performing Arts Division, Visas | Comments Off on IS SXSW Being Opportunistic of Oblivious?
Thursday, July 14th, 2016
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: We have a non-profit theater company with our own performance space. We are looking for additional ways to increase our revenue stream within the terms of the lease. Two questions: Can a non-profit collect revenue for rented space or must it take the form of […]
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Tags: accident, damages, insurance, irs, taxable income, venue
Posted in Arts Management, Insurance, Law and Disorder: Performing Arts Division, Taxes, Venues | Comments Off on Never Rent Your Theater To Cannibals
Thursday, March 31st, 2016
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I am a classical concert pianist and booking representative for my small ensemble. I just finished the negotiation of a performance contract with a presenter and, unfortunately, we could not reach an agreement. In my three years of working as a self-presenting artist, it was […]
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Tags: Agreements, artist, cancellation, contract, Contracts, formal contract, manager, negotiation, presenter, risk, venue, work
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Presenters, Venues | Comments Off on Dodging A Bullet With A Contract
Thursday, February 18th, 2016
By Brian Taylor Goldstein, Esq. I haven’t found an example that matches the situation of a 501(c)(3) I am familiar with. They throw a once-yearly art festival that spans a weekend (2days). They don’t charge the public any admittance. They raise money by charging fees for booth (10×10) spaces for (visual) arts vendors to […]
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Tags: artist, ascap, bmi, composer, composers, composition, copyright, copyright act, copyright infringement, copyright law, Education, Festival, Liable, license, music, musical composition, musician, non profits, original music, performance license, performer, permission, presenter, promoter, publishing company, risk, sesac, venue
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Venues | Comments Off on Who Has To Pay The Likes of ASCAP, BMI, Etc?