By ANDREW POWELL
Published: September 23, 2015
MUNICH — Post is under revision.
Still image from video © Bayerische Staatsoper
Related posts:
Nitrates In the Canapés
Muti the Publisher
Honeck Honors Strauss
Kušej Saps Verdi’s Forza
Time for Schwetzingen
Tags: Amanda Forsythe, Andrew Foster-Williams, Antonino Fogliani, Antonio Pappano, Antú Romero Nunes, Bad Wildbad, Bavarian State Opera, Bayerische Staatsoper, Bongiovanni, Bryan Hymel, Camerata Bach Chor Poznań, CD, Commentary, Coro del Teatro Comunale di Bologna, Damiano Michieletto, Dan Ettinger, Decca, DVD, Evgeniya Sotnikova, Gerald Finley, Graham Vick, Guillaume Tell, Günther Groissböck, Jochen Schönleber, John Osborn, Juan Diego Flórez, Judith Howarth, Kritik, Luca Tittoto, Malin Byström, Marina Rebeka, Michael Spyres, Michael Volle, Michele Mariotti, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Naxos, Nicola Alaimo, Nicolas Courjal, Opus Arte, Orchestra del Teatro Comunale di Bologna, Pesaro, Raffaele Facciolà, Review, Rossini, Rossini Opera Festival, Royal Opera House, Sofia Fomina, Tara Stafford, Virtuosi Brunenses
This entry was posted on Wednesday, September 23rd, 2015 at 9:57 am and is filed under Munich Times. You can follow any responses to this entry through the RSS 2.0 feed.
Both comments and pings are currently closed.
Guillaume Tells
By ANDREW POWELL
Published: September 23, 2015
MUNICH — Post is under revision.
Still image from video © Bayerische Staatsoper
Related posts:
Nitrates In the Canapés
Muti the Publisher
Honeck Honors Strauss
Kušej Saps Verdi’s Forza
Time for Schwetzingen
Tags: Amanda Forsythe, Andrew Foster-Williams, Antonino Fogliani, Antonio Pappano, Antú Romero Nunes, Bad Wildbad, Bavarian State Opera, Bayerische Staatsoper, Bongiovanni, Bryan Hymel, Camerata Bach Chor Poznań, CD, Commentary, Coro del Teatro Comunale di Bologna, Damiano Michieletto, Dan Ettinger, Decca, DVD, Evgeniya Sotnikova, Gerald Finley, Graham Vick, Guillaume Tell, Günther Groissböck, Jochen Schönleber, John Osborn, Juan Diego Flórez, Judith Howarth, Kritik, Luca Tittoto, Malin Byström, Marina Rebeka, Michael Spyres, Michael Volle, Michele Mariotti, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Naxos, Nicola Alaimo, Nicolas Courjal, Opus Arte, Orchestra del Teatro Comunale di Bologna, Pesaro, Raffaele Facciolà, Review, Rossini, Rossini Opera Festival, Royal Opera House, Sofia Fomina, Tara Stafford, Virtuosi Brunenses
This entry was posted on Wednesday, September 23rd, 2015 at 9:57 am and is filed under Munich Times. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.