By ANDREW POWELL
Published: November 26, 2017
MUNICH — Post is under revision.
Photos © Arthaus, BelAir Classiques, Querstand, Supraphon, Warner Classics
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Tags:Agnieszka Rehlis, Aida, Aldo Protti, Aleksandra Kurzak, Andrea Chénier, Anja Harteros, Anton Bruckner, Antonino Votto, Antonio Pappano, Arthaus, Artur Ruciński, Badischer Staatsopernchor, Bavarian State Orchestra, Bayerisches Staatsorchester, Bayreuther Festspiele, BelAir Classiques, Bellini, Berg, Berlioz, Birgit Nilsson, Bo Skovhus, Bohumil Gregor, Callas, CD, Cesare Valletti, Choeur de l’Opéra du Rhin, Choeur Philharmonique de Strasbourg, Cigánské melodie, Coro del Teatro alla Scala, Coro dell’Accademia Nazionale di Santa Cecilia, Coro della Cappella Musicale Pontificia, Cypresses, Cypřiše, Daniela Sindram, Deutsche Grammophon, Dmitri Tcherniakov, Dmitry Korchak, DVD, Ekaterina Semenchuk, Enzo Mascherini, Erato, Erwin Schrott, Eugenia Ratti, Fiorenza Cossotto, Gewandhaus-Orchester, Gino Penno, Giordano, Giuseppe Modesti, Giuseppe Verdi, Gypsy Melodies, Hanna Hipp, Haydn, Herbert Blomstedt, Herbert von Karajan, Italo Tajo, Ivo Žídek, Jacek Kaspszyk, John Nelson, Joyce DiDonato, Karel Berman, Karl Böhm, Kaufmann, Kirill Petrenko, La sonnambula, Leif Ove Andsnes, Leoš Janáček, Les Troyens, Libuše Prylová, Litany to the Virgin Mary, Macbeth, Marie-Nicole Lemieux, Mario del Monaco, Marlis Petersen, Martti Talvela, Massimo Palombella, Matthias Klink, Michael Spyres, Missa Papae Marcelli, Nicolas Courjal, Norwegian Chamber Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre Philharmonique de Strasbourg, Palestrina, Pavol Breslik, Piero Cappuccilli, Plácido Domingo, Prague National Theatre, Premysl Kočí, Querstand, Raina Kabaivanska, Review, Róbert Pechanec, Rudolf Vonásek, Sistine Chapel Choir, Stéphane Degout, Supraphon, Szymanowski, Teatro alla Scala, Tézier, Tristan und Isolde, Věc Makropulos, Victor de Sabata, Vienna State Opera Chorus, Warner Classics, Warsaw Philharmonic, Warsaw Philharmonic Choir, Wiener Staatsopernchor, Wolfgang Windgassen
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Six Husbands in Tow
Sunday, March 13th, 2016By ANDREW POWELL
Published: March 13, 2016
MUNICH — Some contracts come with strings attached, others with husbands. In a remarkable set of coincident artistic priorities for company boss Nikolaus Bachler — or a broad capitulation — Bavarian State Opera’s 2016–17 season, announced today, features no fewer than six divas in performance with their husbands. Edita Gruberová, Elīna Garanča and Kristine Opolais will star in Roberto Devereux, La Favorite and Rusalka while their other halves conduct. Diana Damrau, Anna Netrebko and Aleksandra Kurzak will headline Lucia di Lammermoor, Macbeth and La Juive while alongside them their spouses sing. In another family tie, Vladimir Jurowski has apparently been allowed to abandon the new Ognenny angel he led (electrically) this season in favor of … his dad. Small wonder 2016–17 is dubbed “Was folgt”: What follows.
Photos © Wiener Staatsoper (Elīna Garanča), Opernhaus Zürich (Anna Netrebko), Bill Cooper for the Royal Opera House (Kristine Opolais), Catherine Ashmore for the ROH (Aleksandra Kurzak, Diana Damrau), Wilfried Hösl (Edita Gruberová)
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Tags:Aleksandra Kurzak, Bavarian State Opera, Bayerische Staatsoper, Commentary, Diana Damrau, Edita Gruberová, Garanča, Kristine Opolais, La Juive, Lucia di Lammermoor, Macbeth, München, Munich, Netrebko, News, Nikolaus Bachler, Ognenny angel, Roberto Devereux, Vladimir Jurowski
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