By ANDREW POWELL
Published: July 6, 2017
MUNICH — Under the incongruous stewardship of Valery Gergiev, the Munich Philharmonic intends to stress its Bruckner credentials the next three Septembers with filmed visits to the Stiftsbasilika St Florian. There, where the composer worked and rests, just south of Linz, the MPhil will record for DVD his numbered symphonies, three per visit, the orchestra said Friday.
Gergiev: “In the Munich Philharmonic, dazzling technique is combined with a deep common experience on the subject of Bruckner … . I want people around the world to [hear this].” The partnership recorded the Fourth Symphony for CD in 2015 in Nowak’s 1953 edition.
Orchestra statement: “The MPhil has a special and unique relationship to the symphonic work of Anton Bruckner, going back to its founding as the Kaim-Orchester, and over the years has … developed a specific Bruckner tradition.
“Conductors such as Hermann Levi, under whom the [1885 Munich] premiere of the Seventh Symphony went down as a triumph in European music history [before the Kaim-Orchester existed]; Ferdinand Löwe, Bruckner’s pupil [and two-term MPhil chief]; and not least Sergiu Celibidache [Chefdirigent 1979–1996], whose Bruckner interpretations are legendary, made major contributions to the [status of these] symphonies … as a summit of the genre.”
Painfully this supporting rhetoric omits mention of recent MPhil Generalmusikdirektor Christian Thielemann. He led stunning Bruckner concerts here before a foolishly managed struggle resulted in his resignation, and he is now filming his own Bruckner cycle in various cities — including Munich! — with the Dresden Staatskapelle.
Filming at St Florian (pictured) begins Sept. 25 and 26, when Symphonies Nos. 1, 3 and 4 are scheduled; identical programs will be played at the orchestra’s Gasteig home days earlier. Details were unclear as to the editions. The project will open Gergiev’s third through fifth (of five contracted) seasons as MPhil Chefdirigent.
Photo © Christian Herzenberger
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Tuesday, May 20th, 2014By ANDREW POWELL
Published: May 20, 2014
MUNICH — In a rambling, two-page “personal statement” to Munich Philharmonic subscribers made public today (May 20), Valery Gergiev stressed the role of music as bridge-builder and affirmed his now divisive assumption of the post of Chefdirigent of the orchestra, effective in fall 2015.
The statement covers a grab bag of topics, from Realpolitik to the Russian Orthodox faith, from Mariinsky Theater duties to a Munich Stravinsky cycle, from Glinka’s Europeanization of Russian music to recent Ukraine “events.” Coyly, it acknowledges that “future political developments could give rise to problems.”
One bizarre paragraph refers to the Russian people’s continuing support for “taboos that have not applied in Western countries for many years,” presumably a reference to non-advances in human rights. “With respect to my personal stance,” it states, “there is no one in my ensemble and team who could accuse me of anything. One of my most important principles is respect for others and their personal lives.”
This effort by Gergiev was in part an outcome of a politically forced meeting he had with the orchestra’s Intendant Paul Müller and the City of Munich’s Kulturreferent Hans-Georg Küppers three days ago (May 17) in Linz during a Mariinsky Orchestra visit to Austria. The encounter had been expected to take place in Munich late this week when the touring Russians arrive here, and it may have been moved up (and away) to refract attention.
Photo © 2013 Wild und Leise
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Tags:Commentary, Glinka, Hans-Georg Küppers, Linz, Mariinsky Orchestra, Mariinsky Theater, München, Münchner Philharmoniker, Munich, Munich Philharmonic, News, Paul Müller, Valery Gergiev
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