By ANDREW POWELL
Published: November 26, 2017
MUNICH — Post is under revision.
Photos © Arthaus, BelAir Classiques, Querstand, Supraphon, Warner Classics
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Tags:Agnieszka Rehlis, Aida, Aldo Protti, Aleksandra Kurzak, Andrea Chénier, Anja Harteros, Anton Bruckner, Antonino Votto, Antonio Pappano, Arthaus, Artur Ruciński, Badischer Staatsopernchor, Bavarian State Orchestra, Bayerisches Staatsorchester, Bayreuther Festspiele, BelAir Classiques, Bellini, Berg, Berlioz, Birgit Nilsson, Bo Skovhus, Bohumil Gregor, Callas, CD, Cesare Valletti, Choeur de l’Opéra du Rhin, Choeur Philharmonique de Strasbourg, Cigánské melodie, Coro del Teatro alla Scala, Coro dell’Accademia Nazionale di Santa Cecilia, Coro della Cappella Musicale Pontificia, Cypresses, Cypřiše, Daniela Sindram, Deutsche Grammophon, Dmitri Tcherniakov, Dmitry Korchak, DVD, Ekaterina Semenchuk, Enzo Mascherini, Erato, Erwin Schrott, Eugenia Ratti, Fiorenza Cossotto, Gewandhaus-Orchester, Gino Penno, Giordano, Giuseppe Modesti, Giuseppe Verdi, Gypsy Melodies, Hanna Hipp, Haydn, Herbert Blomstedt, Herbert von Karajan, Italo Tajo, Ivo Žídek, Jacek Kaspszyk, John Nelson, Joyce DiDonato, Karel Berman, Karl Böhm, Kaufmann, Kirill Petrenko, La sonnambula, Leif Ove Andsnes, Leoš Janáček, Les Troyens, Libuše Prylová, Litany to the Virgin Mary, Macbeth, Marie-Nicole Lemieux, Mario del Monaco, Marlis Petersen, Martti Talvela, Massimo Palombella, Matthias Klink, Michael Spyres, Missa Papae Marcelli, Nicolas Courjal, Norwegian Chamber Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre Philharmonique de Strasbourg, Palestrina, Pavol Breslik, Piero Cappuccilli, Plácido Domingo, Prague National Theatre, Premysl Kočí, Querstand, Raina Kabaivanska, Review, Róbert Pechanec, Rudolf Vonásek, Sistine Chapel Choir, Stéphane Degout, Supraphon, Szymanowski, Teatro alla Scala, Tézier, Tristan und Isolde, Věc Makropulos, Victor de Sabata, Vienna State Opera Chorus, Warner Classics, Warsaw Philharmonic, Warsaw Philharmonic Choir, Wiener Staatsopernchor, Wolfgang Windgassen
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Guillaume Tells
Wednesday, September 23rd, 2015By ANDREW POWELL
Published: September 23, 2015
MUNICH — Post is under revision.
Still image from video © Bayerische Staatsoper
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Tags:Amanda Forsythe, Andrew Foster-Williams, Antonino Fogliani, Antonio Pappano, Antú Romero Nunes, Bad Wildbad, Bavarian State Opera, Bayerische Staatsoper, Bongiovanni, Bryan Hymel, Camerata Bach Chor Poznań, CD, Commentary, Coro del Teatro Comunale di Bologna, Damiano Michieletto, Dan Ettinger, Decca, DVD, Evgeniya Sotnikova, Gerald Finley, Graham Vick, Guillaume Tell, Günther Groissböck, Jochen Schönleber, John Osborn, Juan Diego Flórez, Judith Howarth, Kritik, Luca Tittoto, Malin Byström, Marina Rebeka, Michael Spyres, Michael Volle, Michele Mariotti, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Naxos, Nicola Alaimo, Nicolas Courjal, Opus Arte, Orchestra del Teatro Comunale di Bologna, Pesaro, Raffaele Facciolà, Review, Rossini, Rossini Opera Festival, Royal Opera House, Sofia Fomina, Tara Stafford, Virtuosi Brunenses
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