Posts Tagged ‘musicalamerica’
Tuesday, June 17th, 2014
By Rebecca Schmid If Krzysztof Urbanski’s debut with the Berlin Philharmonic late last month should serve as any indication, this is a conductor whom we can expect to hear again soon at the Philharmonie. The young Polish native, quickly on the rise on the both sides of the Atlantic, presided over an all-Czech program on […]
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Tags: Andreas Buschatz, Andreas Ottensamer, Berlin Philharmonic, Dvorak, Krzysztof Urbanski, Martinu, musicalamerica, Philharmonie, Rebecca Schmid, Smetana, Sol Gabetta
Posted in Berlin Times | Comments Off on Krzysztof Urbanski makes Berlin Philharmonic Debut
Tuesday, April 1st, 2014
By Rebecca Schmid Given the range of works across the classical repertoire, one wonders how the same Brahms and Beethoven warhorses continue to dominate programming, especially in the midst of constant debate about how to keep the art form lively. The Deutsches Symphonie-Orchester Berlin manages to prove an exception. An evening of Honegger, Franck, Roussel […]
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Tags: Albert Roussel, Arthur Honegger, betrand chamayou, Cesar Franck, Deutsches Symphonie-Orchester Berlin, Maurice Ravel, musicalamerica, Rebecca Schmid, Stéphane Denève
Posted in Berlin Times | Comments Off on The DSOB breaks the Mold with Roussel and Honegger
Thursday, October 4th, 2012
By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Mollie Alred of Sciolino Artist Management who won a $25 gift card for submitting the following question Dear Edna: As a manager of classical musicians, I have the opportunity to work with many different presenters. No matter the type of presenter, size of […]
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Tags: askedna, Bert Harclerode, chamber music, Edna Landau, musicalamerica, Sciolino
Posted in Arts Administration, Ask Edna | Comments Off on Who Should Write Program Notes?
Wednesday, April 18th, 2012
By Brian Taylor Goldstein Hello Law and Disorder, We have met numerous times at conferences, (I love going to your sessions!) and you have been very helpful with questions about our presenting contracts. We also rent our facility and I now have a question about that side. We recently received a letter from BMI stating […]
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Tags: ascap, bmi, Brian Taylor, Contracts, ftm, Goldstein, law and disorder, Licensing, musicalamerica, performance space
Posted in Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Non-Profits, Presenters, Venues | Comments Off on Do We Need ASCAP/BMI Licenses?
Wednesday, April 11th, 2012
By Brian Taylor Goldstein Dear Law and Disorder: Many years ago I founded a successful non-profit dance company. Over the years, we have continued to grow by adding board members, increasing donations, and critically acclaimed performances. However, my current board has become too invasive. In the past, I have always given them reports about the […]
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Tags: 501 c 3, artistic director, board members, Brian Taylor, ftm, Goldstein, musicalamerica, non profit organization, tax exempt status
Posted in Arts Management, For Profits, Law and Disorder: Performing Arts Division, Non-Profits, Presenters | Comments Off on Can I Fire My Board Members?
Thursday, March 29th, 2012
By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a parent of a very serious pre-college classical instrumentalist who has professional aspirations. Recently, she was offered a possible opportunity to perform and record with a singer-songwriter friend who has just signed a contract with a major agency and whose eclectic […]
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Tags: askedna, Edna Landau, musicalamerica
Posted in Ask Edna, Listening to Your Inner Voice | Comments Off on Is It Dangerous to Cross Over Too Soon?
Thursday, March 22nd, 2012
By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I have been working for the past five years as an assistant in the admissions office of an American conservatory. I would like to embark on a new direction – perhaps artist management or artistic administration at an orchestra. I know some people […]
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Tags: american conservatory, artist management, askedna, Edna Landau, musicalamerica, nea
Posted in Ask Edna, Career Etiquette | Comments Off on Exceeding the Limit on the Freeway
Thursday, March 1st, 2012
By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be […]
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Tags: askedna, career, carnegie hall, chamber music, Edna Landau, musicalamerica, presenter, Susana Galli, symphony
Posted in Ask Edna, Managing Your Own Career | Comments Off on Ten Do’s and Dont’s of Career Building
Thursday, February 23rd, 2012
By: Edna Landau To ask a question, please write Ask Edna. It has been pointed out to me that in my column last week, I inadvertently misspelled the name of the author of an article entitled “Being a Professional Chorister” which appeared on Laura Claycomb’s website. His correct name is Martin L. Poock. My apologies to […]
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Tags: askedna, career, classical music, Edna Landau, leonard bernstein, musicalamerica, Perlman, young artist
Posted in Ask Edna, Listening to Your Inner Voice | Comments Off on Finding Your Unique Path to Success
Thursday, February 9th, 2012
By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Patricia Goodson who is Third Prize winner of the Ask Edna First Anniversary contest, affording her a free review of her resume. I am grateful to all of you who submitted questions and will be answering many of them in the coming months. […]
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Tags: askedna, Edna Landau, musicalamerica
Posted in Ask Edna, Career Etiquette | Comments Off on Telling the Truth about Injuries