Posts Tagged ‘Rebecca Schmid’
Tuesday, June 17th, 2014
By Rebecca Schmid If Krzysztof Urbanski’s debut with the Berlin Philharmonic late last month should serve as any indication, this is a conductor whom we can expect to hear again soon at the Philharmonie. The young Polish native, quickly on the rise on the both sides of the Atlantic, presided over an all-Czech program on […]
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Tags: Andreas Buschatz, Andreas Ottensamer, Berlin Philharmonic, Dvorak, Krzysztof Urbanski, Martinu, musicalamerica, Philharmonie, Rebecca Schmid, Smetana, Sol Gabetta
Posted in Berlin Times | Comments Off on Krzysztof Urbanski makes Berlin Philharmonic Debut
Tuesday, April 1st, 2014
By Rebecca Schmid Given the range of works across the classical repertoire, one wonders how the same Brahms and Beethoven warhorses continue to dominate programming, especially in the midst of constant debate about how to keep the art form lively. The Deutsches Symphonie-Orchester Berlin manages to prove an exception. An evening of Honegger, Franck, Roussel […]
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Tags: Albert Roussel, Arthur Honegger, betrand chamayou, Cesar Franck, Deutsches Symphonie-Orchester Berlin, Maurice Ravel, musicalamerica, Rebecca Schmid, Stéphane Denève
Posted in Berlin Times | Comments Off on The DSOB breaks the Mold with Roussel and Honegger
Friday, March 14th, 2014
By Rebecca Schmid The Rundfunk-Sinfonieorchester Berlin presented what was announced as a “French evening” on March 12 featuring the German premiere of Dutilleux’s Le temps l’horloge. The RSB has its share of competition between the Berlin Philharmonic, Deutsche-Sinfonieorchester Berlin (another orchestra with broadcast roots), the Staatskapelle and others. But it was a surprise to see […]
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Tags: Baudelaire, Bohuslav Martinu, Claude Debussy, Deutsche Grammophon, Henri Dutilleux, Konzerthaus Berlin, Laura Aikin, Le temps l’horloge, Ludovic Morlot, MusicalAmerica.com, Rebecca Schmid, Rundfunk-Sinfonieorchester Berlin
Posted in Berlin Times | Comments Off on At the Konzerthaus, a German Premiere and a half-empty Hall
Friday, February 28th, 2014
By Rebecca Schmid In the final scene of Bach’s St. John Passion, staged by Peter Sellars at the Philharmonie on Feb.27, the members of the Rundfunkchor gather in meditation around a spotlight, the rest of the hall submerged in darkness. The body of Jesus has been quietly removed during a lament of Mary Magdalene, his […]
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Tags: Anna Prohaska, Berlin Philharmonic, Camilla Tilling, Christian Gerhaher, Concentus Musicus, Dido and Aeneas, Dixit Dominus, J.S. Bach, Les Arts Florissants, Magdalena Kožená, Mark Padmore, MusicAeterna, MusicalAmerica.com, Nurial Rial, Perm Opera, peter sellars, Philharmonie, Rebecca Schmid, Roderick Williams, Rundfunkchor Berlin, Sir Simon Rattle, St Matthew Passion, St. John Passion, Teodor Currentzis, Thomas Quasthoff, Topi Lehtipuu
Posted in Berlin Times | Comments Off on Ritual in the Philharmonie: Bach’s ‘St. John Passion’ and MusicAeterna
Friday, January 24th, 2014
By Rebecca Schmid Duos—both literal and metaphoric—are the official theme for this year’s Ultraschall Festival for New Music, taking place in Berlin until Jan.31. The event, hosted by the city’s two main classical radio stations, Kulturradio rbb and Deutschlandradio Kultur, is better known for its wide range of offerings than its tight programming. But the […]
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Tags: Andreas Göbel, Elliott Carter, Heinz Holliger, Holger Groschopp, Jörg Widmann, Klaus Huber, Rebecca Schmid, Ruth Killius, Thomas Zehetmair, Ultraschall Festival, Wolfgang Lischke
Posted in Berlin Times | Comments Off on Dual Frequencies at the Ultraschall Festival
Friday, December 6th, 2013
By Rebecca Schmid While Il Trovatore counts as one of Verdi’s most gripping scores, the libretto’s sprawling tale of love and vengeance is not without dramaturgical challenges. A staging by Philip Stötzl which opened at the Staatsoper Berlin on Nov.29 featured several first encounters with the opera. Anna Netrebko, who attended the premiere of the […]
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Tags: Adrian Sâmpetrean, Anna Lapovskaja, anna netrebko, Conrad Moritz Reinhardt, Daniel Barenboim, fettFilm, Gaston Rivera, il trovatore, Mara Kurotschka, Marina Prundenskaja, MusicalAmerica.com, Olaf Freese, Philip Stötzl, Plácido Domingo, Rebecca Schmid, Salvatore Cammarano, Staatsoper Berlin, Ursula Kurdna, verdi
Posted in Berlin Times | Comments Off on ‘Il Trovatore’ at the Staatsoper Berlin
Thursday, November 21st, 2013
By Rebecca Schmid The Taiwan Philharmonic, which also calls itself the National Symphony Orchestra, came to Berlin on Nov.18 as part of the second European tour in its history. With two recent commissions on the program—one by a German composer, the other by an American-trained Taiwanese native—it became clear how global classical music trends have […]
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Tags: Antonin Dvorak, Christian Jost, Jean Sibelius, Meng-Chun Lin, Ming-Hsiu Yen, MusicalAmerica.com, Rebecca Schmid, Shao-Chia Lü, Taiwan Philharmonic, Viviane Hagner
Posted in Berlin Times | Comments Off on East meets West: The National Symphony Orchestra at the Philharmonie
Friday, May 17th, 2013
By Rebecca Schmid The tolerance of German audiences for extreme stage productions is a source of national pride and the envy of many abroad. But a production of Tannhäuser at the Deutsche Oper am Rhein which had to be stripped down to concert performance last week has set off a national debate about the sanctity […]
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Tags: Akademie der Künste, bayreuth festival, Burkhard C. Kosminski, Cicero, Der Spiegel, Deutsche Oper am Rhein, Düsseldorf, Hitler, Holocaust, Klaus Staeck, musical america, Patrice Chéreau, Rebecca Schmid, richard wagner, Sebastian Baumgartner, stefan herheim, Tannhäuser, World War Two
Posted in Berlin Times | Comments Off on Expunged ‘Tannhäuser’ opens Debate on Artistic Freedom
Tuesday, May 7th, 2013
By Rebecca Schmid The Deutsche Oper’s Tischlerei, a new wing for alternative music theater, hosted the results of Neue Szenen—a competition for composition launched by the Hans Eisler Conservatory—on April 8. Three young composers, Evan Gardner, Stefan Johannes Hanke and Leah Muir, emerged from a pool of 52 applicants with their musical settings of a […]
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Tags: Andrew Watts, Anna Politkowskaja, Annelie Sophie Müller, Baldur Brönimann, barrie kosky, Carsten Sabrowski, Chechnya, Chris Meritt, Christoph Nußbaumeder, Claudio Otelli, Czechoslovakia, Deutsche Oper, Echo Ensemble, Eir Inderhaug, Evan Gardner, Georg Bochow, Hans Eisler Conservatory, Julia Giebel, Katharina Thomas, komische oper, Le Grand Macabre, Ligeti, Manuel Nawri, Michael Höppner, MusicalAmerica.com, Neue Szenen, Peter Corrigan, Prokofiev, Rebecca Schmid, Robert Carsen, Sarah Palin, Stefan Johannes Hanke, Tamara Heimbrock, Tansel Akzeybek, Zoe Kissa
Posted in Berlin Times, Uncategorized | Comments Off on Catching up on the opera scene…
Friday, March 22nd, 2013
By Rebecca Schmid Experimental Regie, free from the scrutiny of finicky patrons on the German opera scene, can in the best case scenario serve to illuminate hidden meanings of a score. In the worst case, it can drown out or obscure musical considerations. The Staatsoper Berlin’s Werkstatt (‘workshop’), a wing of the company’s temporary residence […]
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Tags: Beate Baron, Friederike Frerichs, Götz Friedrich, Gregor Fuhrmann, Hans Hirschmüller, Infinito Nero, Jenny Kim, Maria Maddalena de’Pazzi, Miss Donnithorne’s Maggot, Peter Maxwell Davies, Rebecca Schmid, Rowan Hellier, Salvatore Sciarrino, Sarah Maria Sun, Staatsoper Berlin, Vanitas, Werkstatt
Posted in Berlin Times, Uncategorized | Comments Off on Vanitas Vanitatum, Omnia Vanitas