Posts Tagged ‘Review’
Tuesday, March 20th, 2018
By ANDREW POWELL Published: March 20, 2018 MUNICH — Judging from reports around the country here, the Houston Symphony Orchestra today returns to Texas mission-accomplished. The clarity of its tone colors, the exuberance of its brass section, the articulate luster of its strings — all have been remarked upon during an eleven-day tour to busy […]
Read the rest of this article »
Tags: Andrés Orozco Estrada, Bernstein, Gasteig, Hilary Hahn, Houston Symphony Orchestra, Kritik, Megan Conley, München, MünchenMusik, Munich, Review, Serenade, West Side Story
Posted in Munich Times | Comments Off on Houston Has No Problem
Tuesday, February 27th, 2018
By ANDREW POWELL Published: February 27, 2018 MUNICH — Sometimes the revival has the better cast. So it was for La Favorite at Bavarian State Opera on Sunday, when Giacomo Sagripanti, Clémentine Margaine and Ludovic Tézier made more sense of the music than their counterparts in the 2016 production’s first run (a Deutsche Grammophon DVD) […]
Read the rest of this article »
Tags: Amélie Niermeyer, Bavarian State Opera, Bayerische Staatsoper, Clémentine Margaine, Deutsche Grammophon, DVD, Gaetano Donizetti, Giacomo Sagripanti, Kritik, Matthew Polenzani, Mika Kares, München, Munich, Review, Tézier
Posted in Munich Times | Comments Off on Margaine, Tézier Find Favor
Friday, January 12th, 2018
By ANDREW POWELL Published: January 12, 2018 MUNICH — Against the medical odds, perhaps, Mariss Jansons turns seventy-five on Sunday, still adored by his favorite orchestra. Bavarian Broadcasting marks the occasion with a 44-minute video portrait, Im Zeichen der Musik, or In the Music’s Character, freely watchable. Last evening here at the Gasteig, a subscription […]
Read the rest of this article »
Tags: Bavarian Radio Symphony Orchestra, Bayerischer Rundfunk, Beethoven, BR, BR Chor, Chor des Bayerischen Rundfunks, Gasteig, Genia Kühmeier, Gerhild Romberger, Howard Arman, Hummel, Kritik, Luca Pisaroni, Mariss Jansons, Martin Angerer, Maximilian Schmitt, München, Munich, Review, Stravinsky, Symphonie-Orchester des Bayerischen Rundfunks, Symphony in Three Movements
Posted in Munich Times | Comments Off on Jansons Turns 75
Sunday, November 26th, 2017
By ANDREW POWELL Published: November 26, 2017 MUNICH — Post is under revision. Photos © Arthaus, BelAir Classiques, Querstand, Supraphon, Warner Classics Related posts: Winter Discs Time for Schwetzingen Ives: Violin Sonatas on CD Chung to Conduct for Trump Manon, Let’s Go
Read the rest of this article »
Tags: Agnieszka Rehlis, Aida, Aldo Protti, Aleksandra Kurzak, Andrea Chénier, Anja Harteros, Anton Bruckner, Antonino Votto, Antonio Pappano, Arthaus, Artur Ruciński, Badischer Staatsopernchor, Bavarian State Orchestra, Bayerisches Staatsorchester, Bayreuther Festspiele, BelAir Classiques, Bellini, Berg, Berlioz, Birgit Nilsson, Bo Skovhus, Bohumil Gregor, Callas, CD, Cesare Valletti, Choeur de l’Opéra du Rhin, Choeur Philharmonique de Strasbourg, Cigánské melodie, Coro del Teatro alla Scala, Coro della Cappella Musicale Pontificia, Coro dell’Accademia Nazionale di Santa Cecilia, Cypresses, Cypřiše, Daniela Sindram, Deutsche Grammophon, Dmitri Tcherniakov, Dmitry Korchak, DVD, Ekaterina Semenchuk, Enzo Mascherini, Erato, Erwin Schrott, Eugenia Ratti, Fiorenza Cossotto, Gewandhaus-Orchester, Gino Penno, Giordano, Giuseppe Modesti, Giuseppe Verdi, Gypsy Melodies, Hanna Hipp, Haydn, Herbert Blomstedt, Herbert von Karajan, Italo Tajo, Ivo Žídek, Jacek Kaspszyk, John Nelson, Joyce DiDonato, Karel Berman, Karl Böhm, Kaufmann, Kirill Petrenko, La sonnambula, Leif Ove Andsnes, Leoš Janáček, Les Troyens, Libuše Prylová, Litany to the Virgin Mary, Macbeth, Marie-Nicole Lemieux, Mario del Monaco, Marlis Petersen, Martti Talvela, Massimo Palombella, Matthias Klink, Michael Spyres, Missa Papae Marcelli, Nicolas Courjal, Norwegian Chamber Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre Philharmonique de Strasbourg, Palestrina, Pavol Breslik, Piero Cappuccilli, Plácido Domingo, Prague National Theatre, Premysl Kočí, Querstand, Raina Kabaivanska, Review, Róbert Pechanec, Rudolf Vonásek, Sistine Chapel Choir, Stéphane Degout, Supraphon, Szymanowski, Teatro alla Scala, Tézier, Tristan und Isolde, Věc Makropulos, Victor de Sabata, Vienna State Opera Chorus, Warner Classics, Warsaw Philharmonic, Warsaw Philharmonic Choir, Wiener Staatsopernchor, Wolfgang Windgassen
Posted in Munich Times | Comments Off on Fall Discs
Saturday, November 4th, 2017
By ANDREW POWELL Published: November 4, 2017 MUNICH — With a shrill, pretty Hanna, a shriller, pretty Valencienne, a Camille of uneven tone, but a tight, fluent chorus and much charming orchestral work, Die lustige Witwe ended six years of darkness at the Staatstheater am Gärtnerplatz Oct. 19. This city’s second opera company, of the […]
Read the rest of this article »
Tags: Adam Cooper, Anthony Bramall, Daniel Prohaska, Die lustige Witwe, Josef Köpplinger, Kritik, Lehár, München, Munich, Review, Staatstheater am Gärtnerplatz, The Merry Widow
Posted in Munich Times | Comments Off on Gärtnerplatztheater Reopens
Monday, October 16th, 2017
By ANDREW POWELL Published: October 16, 2017 MUNICH — Sony has released a remarkable recording of Brahms’s Magelone-Romanzen, Op. 33, complete with Zwischentexte prepared by German author Martin Walser. Christian Gerhaher sings the fifteen songs and recites two of the other three poems (the 1st, 16th and 17th) from Ludwig Tieck’s 1797 narrative not set […]
Read the rest of this article »
Tags: Bayerischer Rundfunk, BR Klassik, Brahms, CD, Christian Gerhaher, Commentary, Die schöne Magelone, Gerold Huber, Kritik, Magelone-Romanzen, Martin Walser, Review, Sony Classical, Tieck
Posted in Munich Times | Comments Off on Magelone-Romanzen on Disc
Monday, October 16th, 2017
By ANDREW POWELL Published: October 16, 2017 GRÜNWALD — In mixing-bowl terms, Berlin’s Armida Quartett and Paris’s Quatuor Modigliani combined rather than blended in a standing-room-only concert Oct. 11 here at the August Everding Saal. That is as required for some recipes, possibly including Mendelssohn’s E-flat String Octet (1825), which received a convulsive, unnuanced performance […]
Read the rest of this article »
Tags: Amaury Coeytaux, Armida Quartett, August Everding Saal, Brahms, CD, François Kieffer, Grünwald, Kritik, Martin Funda, Mendelssohn, Mirare, Modigliani Quartet, Octet, Oktett, Peter-Philipp Staemmler, Quatuor Modigliani, Review, Schumann, Teresa Schwamm, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Two Quartets for Mendelssohn
Tuesday, September 19th, 2017
By ANDREW POWELL Published: September 19, 2017 ELMAU — His website left the program as vague as “Beethoven and Shostakovich” right up until the recital, but Igor Levit knew exactly what he wanted to do Aug. 14 in the timber-framed auditorium of this isolated castle-spa below the Wettersteinwand. An aural onslaught was in the offing. […]
Read the rest of this article »
Tags: Beethoven, Elmau, Igor Levit, Kritik, Opus 87, Piano, Review, Schloss Elmau, Shostakovich, Sony Classical, Waldstein Sonata
Posted in Munich Times | Comments Off on Levit Plays Elmau
Wednesday, August 30th, 2017
By ANDREW POWELL Published: August 30, 2017 SALZBURG — Qualitative upticks at the main festival here have heralded Markus Hinterhäuser’s installment as Intendant after a shaky two-summer void. The priority, it appears, is music itself over theater or opera, as might be expected from a boss who is also a professional pianist. Hinterhäuser is retaining […]
Read the rest of this article »
Tags: Aida, Christina Gansch, Daniela Barcellona, Dmitry Belosselsky, Felsenreitschule, Francesco Meli, Giuseppe Verdi, Golda Schultz, Großes Festspielhaus, Jeanine de Bique, Kritik, La clemenza di Tito, Luca Salsi, Marianne Crebassa, MusicAeterna, Netrebko, Perm, Review, Riccardo Muti, Roberto Tagliavini, Russell Thomas, Salzburg, Salzburg Festival, Salzburger Festspiele, Sellars, Shirin Neshat, Teodor Currentzis, Vienna Philharmonic, Vienna State Opera Chorus, Wiener Philharmoniker, Wiener Staatsopernchor, Willard White, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Netrebko, Barcellona in Aida
Saturday, July 29th, 2017
By ANDREW POWELL Published: July 29, 2017 MUNICH — Not every week does the Bavarian Radio Symphony Orchestra devote a whole program to music written since 2000. Guest conductor Matthias Pintscher’s concert July 7 in the Herkulessaal proved an exception. It began spatially, extravagantly, with his own fantasy With Lilies White (2002); progressed to a […]
Read the rest of this article »
Tags: Anna-Maria Palii, Augsburger Domsingknaben, Bavarian Radio Symphony Orchestra, György Kurtág, Herkulessaal, Jonathan Harvey, Kritik, Mark Andre, Matthias Pintscher, München, Munich, Petite musique solennelle, Review, Sarah Aristidou, Sheva Tehoval, Symphonie-Orchester des Bayerischen Rundfunks, Vinzenz Löffel, whence … whither, With Lilies White, woher … wohin
Posted in Munich Times | Comments Off on Pintscher Conducts New Music